Tuesday, August 12, 2008

Kokuhaku Secrets Revealed!!!

      I love karaoke. And so, one night, I decided to invite a whole lot of my friends out to karaoke. If you don't recall from when I told you in April, Japanese karaoke is done privately with friends instead of in front of large crowds. Which do I prefer? Probably Japanese karaoke, but of course, there are times when American karaoke is very appropriate... like when you want to laugh at people or have people laugh at you. But there's something about Japanese karaoke that's magical... and it may be because even the worst people LOVE to sing. With their souls. There are many accounts of me walking to the bathroom or out of the karaoke place where I would hear a Japanese guy (or a group of Japanese guys) singing (/screaming) at the top of their lungs sounding absolutely awful but MAN, there was so much passion.......!!! It influenced some of my karaoke, too, especially when singing in Japanese. Maybe the only times anyone will be able to hear me like that are: a) when we travel to Japan together!; b) when I've been drinking a bit much; or c) when Rock Band: Japan comes out!
      You'll notice that a lot of the people I went with have been featured in my pictures before. Shou, for example, is featured even in the karaoke box because he is known for having a lovely voice, which is especially adored by Akira. The blonde girl in the picture with Shou is Amy, who is one of my international friends from Australia.
      Speaking of international friends, here is Julia of Sweden (pronounced yu-li-uh, not jew-li-uh), one of my favorite friends from Japanese class. I made her cry mid-July. Here's why:
      At the end of June, my classmates and I had an assignment to do a speech in Japanese. This speech could be on annnyyyything we wanted, so after thinking about it for a while, I decided that I wanted to sort of complete one of my goals for Japan, which was to do a kokuhaku, or "confession", most often referring to a "love confession". Brief history of me and my relationship with the word "kokuhaku": when I stayed with my host family in 2004, my host brother Masa and I were watching a television program that involved middle school boys confessing their love for girls in their class over the loudspeaker. Thinking it was hilarious, "kokuhaku" became my new favorite word, and then it became my goal in the future to do a kokuhaku to a girl in Japan. This is a little strange, I know, because really, what's the difference between a kokuhaku and telling some girl in America that you like her? There probably isn't REALLY one, but in MY mind, I can be ridiculous and long-winded in a kokuhaku. I mean, it translates to "CONFESSION" of all words, and that's pretty strong, yeah? Also, another funny anecdote about kokuhakus, they're nowadays OFTEN done over the keitai (cell phone)! And it's socially acceptable! Is that hilariously ridiculous or what?? Really, it just shows the role that keitais play in Japanese society, blah blah, but man... if I could do a kokuhaku over a keitai, that would make my life.
      Regardless, I decided that my speech was going to be a fake kokuhaku to a girl in my class. I made it absurd and vague so that no one would be able to tell "who" it was directed to as to cause chaos and confusion amongst my classmates. Well, in the end, it worked a little TOO well. After class I went to lunch with a handful of my classmates and they were all like "who was it who was it!?" and everyone had their own guess as to who it was directed to. During the merry time I got a text message (yes, I DO text in Japan... it's about the only way people communicate there... sometimes even when they're with their friends [not referring to my own!]) that read, and I quote: "Hey, about your speech, was it by any chance directed at me? Because if it was I think we need to talk." Whoaaaaaaaa! Does that sound like bad news or what!? Well, it was, despite my classmates being really excited about it (in a positive way, obviously). My British friend George even suggested to ask her out to dinner and talk it about it then. But, of course, I was "errrggg"-ing it because of the tone of the message. In fact, two days before I gave the speech I was rethinking it because I really didn't want things to become too too awkward, especially if I had to explain that it was for no one and the recipient didn't believe me. Clearly, though, I ended up not caring. Anyway, we didn't talk until Monday, even after we went to a Star Wars convention with a group of friends the day before (more on that in the future).
      We went on a walk on Monday, though, and I explained to her that it was for no one, but she was sort of correct because the contents of my speech was directed to make hints at roughly two girls and one group of girls, completing basically the whole class. I posted the speech in both Japanese and English below so you can read it and I'll asterisk-ize the place and explain them. Anyway, moving on to the meat of the story, after she heard that it wasn't directed towards her and that I didn't have a crush on her, she cried. And mind you, these were not tears of sadness. She cried because she was so relieved that I didn't like her. MAN, do I suck or what!?!? Who... I... I still think that's hilarious, but it's pretty darn sad, isn't it? Guy can't get a date, and to make matters worse girls cry when he shows any affection for them... shoo'...
     She said that she thought of me as a really good friend and didn't want that to be spoiled. Maybe I wouldn't think that sincere if I actually did have feelings for her, but it was, in a sense, nice to hear, despite the, you know, suck, haha. But it was cool to get that out so that things weren't spoiled for us in the last two weeks of being around each other. A few of our classmates walked by us when she was crying, too, haha. Yowza. But hey! The kokuhaku was done. Sorta. I count it. I mean, it gave results that were similar to if I actually gave one (...but AGAIN, let's hope that doesn't happen when I do it for real XD).

      Back to the karaoke, the other girl who is hiding herself with Julia is her friend whose name I could NEVER remember. Never. Even though we probably hung three or four times. Man... Japanese names... Here's Teresa and her friend. Teresa's actually in her late twenties. Maybe even thirty. I can't remember. Let's just say that she's 22 because she looks it and can still hang with us youngins. She's an excellent singer, and in fact, when she was singing Utada Hikaru's new hit single "Heart Station", Akira (the vein! the passion!) expressed that he thought she was even better than the original. Yeah. That good. Supposedly she's a singing competition winner in China, too, so... yessir. She's good. Jyun also sang a few tunes there, but since I've already introduced him and will talk about our other adventures later, I'll move on. Same goes for Hiroki (but not for unknown Teresa's-friend-girl! I never met her afterwards). Here are the rest of the people (left to right, Shou, Sonya, Amy, Adina, and Hiroki). Adina's a New Yorkian who I met early at the DK House who I hang out with a few times while in Japan.
      So though maybe I can't explain it well, that was probably one the most fun times I had karaoking in Japan because it was the first time that I got to sing Southern All-Stars songs, which I had been sort of practicing that week in preparation for the night. This was also the night that I Jyun decided that he had a crush on Julia, which I found pretty funny. I ended up having to try to hook them up (and failed). Actually, Julia had all of my friends crushing on her... Jyun, Asato, uhhhhh some other guys. Lots of my Japanese friends (and even some Japanese guys that I met maybe only once!) asked me to hook them up with foreign girls, but most of my foreign friends had boyfriends already. 'Twas a shame!
      Anyway, below you'll find my speech in Japanese and English with footnotes. I hope you enjoy it XD

Until next time...!

「告白 」

     最近、僕達のクラスメートは音楽とか、スポーツとか、重要な人についてスピーチをしていた。心から思っていることについてスピーチをしていた。それでは、僕は、何について書くべきか考えていた時、どうしても「愛」についての考えが僕の頭からはなれなかったんだ。だから、このクラスの好きな女性に告白をするより仕方がない。
     まずはじめに、今から話すことを男の人はうらやましがらないで下さい。君達は、僕にとって、告白するほどかわいくないんだ。すみません。でも、ピーターさんはちょっと例外なんだ。時々、僕が好きな女性はシャイガールな事もあるから、そう考えると、ピーターさんはかなり僕のタイプに近いよね*?とにかく、始めましょうね。
     本当に、僕達がこのクラスにいる間、ずっとあなたは美しいと感じている。つい寝てしまった後、目覚めて、気分がとても悪くても、いつのまにかあなたの顔を見てると、その気持ちがなくなる**。ほとんど毎日のようにあなたは笑ったり、日本語で先生の質問に答えたり、お昼ご飯を食べたりする。
そんなのは普通過ぎるほど普通のことだと分かっているけど、僕は普通のことをする女性が好きなんだ***。例えば、もしやせるために一緒にお昼ご飯を食べられなかったら、あなたは僕のタイプじゃなくなる。でも、あなたはあなたで。。。あなたは僕のタイプだから、今言ったことを気にしないで下さい。
     とにかく、僕は自分自身と約束した。僕は自分に、日本にいる限り、日本人女性だけをくどくという約束した。でも、僕はもう一つ、愛についても自分と約束した。自分に、百パーセントの女の子を見つけたら、絶対に彼女にするという約束だ。あなたは僕の百パーセント女の子です****!!
     そして、時々、人々はあなたを日本人だと思う。日本語をはっきりうまく話せるので、そう思うのも当然だろう*****。例えば、もし屏風の後ろに立っていて、声だけしか聞こえなかったら、あなたの民族や何人か分からないかもしれない。それに、白人、黒人、アジア人の顔や体を見ただけでは、僕で違いがよく分からないから、日本語で話しているあなたを、後ろから見たら、何人か分からない人もいるだろう******。
     それに、彼がいるか、彼がいないか、そんなの関係ね。三角関係にならなければならなかったら、絶対にそうする。愛を止められないよね!じゃ、愛のために、告白をしなくちゃ。僕はこのクラスに入っている女性が大好きで、その女性は。。。!わー!時間がない!ごめんね。終わってしまいます。失礼します。

Kokuhaku

      Recently, our classmates have been giving speeches concerning music, sports, and important people... concerning things that come from the heart. Therefore, when I was thinking about what to write, no matter how hard I tried I couldn't get thoughts of love out of my head. So, I have no choice but to confess my love to the girl in this class whom I like.
      Before I start... guys, please don't be jealous. To me, you guys just aren't pretty enough for me to do a confession to you. Sorry. Ehhh, but, Peter's sort of an exception. Sometimes, the kinds of girls I like are shy, so if you think about that, Peter's sort of close to my type, yeah*? Anyway, let's begin.
      Truly, ever since we've been in this class together, I've thought you beautiful. After I unintentionally fall asleep in class, I wake up, and despite me feeling terrible, before I know it I'm looking at your face and those feelings disappear**. Almost everyday you do things like laugh, answer the teacher's questions in Japanese, and eat lunch. I understand that those things are general to the extent of being too general, but I like girls that do general things***. For example, if we were not to eat lunch together because you were on a diet, then you wouldn't be my type. BUT, you are you and... you're my type so... don't worry about what I just said.
      Anyway, I had made a promise to myself: while in Japan, I would only hit on Japanese girls. But, I also made one more promise--a promise to love. When I found my 100% woman I would definitely make that girl mine. You are my 100% woman****!!!
      And, sometimes, people think you're Japanese. Clearly, your Japanese is great, so that way of thinking is only natural*****. For example, if you stood behind a folding screen and people could only hear your voice, most likely no one would be able to tell your nationality or race. Moreover, white people... black people... Asians... if you look at only their faces and bodies, even I often don't know the difference between them, so accordingly people that look at you from behind when you're speaking Japanese and don't know what country you're from exist******.
      Also, it doesn't really matter whether or not you have a boyfriend. If I have to make a love triangle, I will definitely do it! You can't stop love! So, for the sake of love I have to do this confession. I like a girl in this class, and that girl is..........! Ah! I'm out of time! Sorry! I'm regrettably finished. Excuse me*******.

* One of my classmates, Peter, always introduces himself as "Shy Boy" and it's sort like his running joke, so that's why that's in there.
** This one was mainly directed at one girl, but could have been taken as two. In class I often talked to both the girl in front of me, Jess, and the girl behind me, Nadia. Really, in my mind I was directing this to Jess because it's her that I would most often talk to after that happened because she always laughed at me and called me narcoleptic. On the other hand, I think the popular guess on this one was Nadia because the class most often noticed me talking to her because we were always partners.
*** This sentence caused the biggest problem for me in the editing process. The aim of it was to be absurd, but some people didn't really get it and the sentence that I ended up writing was told to be "correct Japanese" but "wrong" in the case of... I don't know, what people would say. My original sentence read weird even in English, but it was kind of the point... but maybe I just can't do that in Japanese or I can't be weird correctly yet. Iuno.
**** The term "100% woman" is an allusion to Haruki Murakami's excellent short story, "四月のある晴れた朝に100パーセントの女の子に出会うことについて", or "On Happening Across the 100% Woman on a Fine April Morning".
***** This was directed toward Julia because her Japanese is really great, and she's white!
****** To make the girl seem like she may be Asian (like Yi-Chen <3<3<3), I added this sentence. If the girl had blonde hair like Julia, it would be kind of obvious that she wasn't Japanese, but with the other Asians in the class... not so much.
******* There was a time limit and my speech was waaaaaay over, so it made sense to have this there.


     Thanks for reading if you did, haha. And, if anyone in my class is reading this, hope it cleared a few things up : ) Once again...

Until next time...!

Friday, August 8, 2008

The Tokyo Blue Note

      Back on June 5th (or sometime thereabouts) I went to the Blue Note jazz club in Tokyo to see legendary bass man Ron Carter play with other jazz masters Mulgrew Miller and Russell Malone. This probably doesn't mean anything to most of you readers, but that's okay because I won't be going into detail about the performance or anything. So, no worries.
      Before I get to anything involving any real content, I want to iterate how much I hate making reservations in Japanese on the phone. I don't really even like speaking or listening to Japanese on the phone in general because for some reason, compared to speaking directly to a person, it's much harder to pick up. Maybe it's just me, though. Iuno. I suck at talking on the phone in general. But yeah, I had to call the Blue Note to make reservations for two first-year friends from the Jazz-ken circle (Ko and Yukiko) and myself. When I called, I wanted to make it flawless. I mean, HOW LONG have I been studying how to make a reservation in class!? REALLY LONG. We start that in 101. Of course, in 101 it's like:

"Hello. Is this the movie theatre?"
"Yes, it is the movie theatre."
"What time is Indiana Jones?"
"7:30pm."
"I will buy two tickets."
"OK. What is your phone number?"

... etc, etc.. But in REAL LIFE, the reservations go something like this:

"HellothisistheTokyoBlueNoteTakahashispeakinghowmayIhelpyou?"
"I would like to make a resrb... rervti... rsvtn... res-er-va-tion for um... the Ron Carter live performance, but..."
"Aojaosjfo0uq0ufF"
"Excuse me? Sorry, girl, I didn't understand your keigo. Could you speak to me like I'm a real human being instead of you pretending that you're my vassal? I mean, it's kind of hot, but I just want to make a reservation! COME ON."

Or, you know, something to that effect. Longer story made less long, I stumbled around and they decided to say some things in English to me, which frustrates me more than if they spoke slower keigo to me. Whateverrrrr. I made it and we were set to go. Tickets were $80. That's double I usually pay for seeing someone who I doubly want to see.
      I arrived early and sat around in the lobby for a while until my friends came, and much to our surprise, one of our senpais, Jyunsuke, was there! So, when we got into the club we sat down at our respective seats until practically everyone was seated and then we had Jyunsuke moved over to where we were sitting. You can see the seating in the Tokyo Blue Note goes something like this and we were sitting in the second row back from the stage at one of the long tables. Originally, Jyunsuke was sitting in the front row off to the left side of the stage, but that's because he got inside much later than us. The seating is first come first serve, and I was one of the first ones in the waiting area, not to mention the fact that I payed for the $80 ticket. Jyunsuke, on the other hand, payed about half that much at a student price and as a result was let in later than everyone else. But, I guess that still didn't matter now, did it? *sigh* There went eight Gundam games...
      Oh, and as for the people I was with, I'll give them a short introduction. First, here's a picture of us in the train station afterwards. From left to right, that's Jyunsuke, Ko, and then Yukiko. I met Jyunsuke at a rather late Jazz-ken function where he turned out to be a wily, off-the-wall kind of guy. Rather hilarious, really... he wouldn't stop shaking my hand. We talked about onsens and he kept on making the sound effect that is in regards to someone just jumping into an onsen and making a huge splash (I think it was something like "ZABUUN"). Why he would do that for an onsen... eg, so yeah, that's him. Ko I met during the first nomikai that the circle hosted. He started as a metal bass player and moved to jazz this semester. He majoring in English at Sophia and also likes Radiohead a lot, so we sang "No Surprises" at the karaoke that took place after said nomikai. I don't know much about Yukiko, but she was always very nice when I talked to her. Her instrument of choice is the alto sax, and the last time that I played with the Jazz-ken members we played one of those rhythm changes songs that has a name like a bunch of other bebop songs so it makes me forget the title. She just started playing and couldn't really do the song, but as I had mentioned before, it was cool that she would even just attempt it playing with and for players that are just leagues above her.
      Anyway, the place was beautiful. I wish I could have taken photos, but unfortunately it wasn't allowed in the club, so you have to see online for yourself if you're actually interested. The place was a really nice restaurant, too, and although we weren't obligated to buy any food, each of us had to buy one drink. So, we all picked up the drink that Ron Carter HIMSELF recommended, which was some fancy grappa. I don't even know what a grappa is, per say, and neither, I guess, does spellcheck. Regardless, it tasted, if I recall correctly, sort of like a champagne... dry... with an odd flavor to it. Overall? Probably wouldn't buy it again. Thanks a lot, Ron Carter. JEEZ.
      As for the show, it was good. Ko was floored by it particularly because it was his first concert featuring real jazz masters, and as a bass player, Ron Carter's playing really made an impression on him, especially when he played a song with no accompaniment. But, did I myself fall asleep like I do during every movie/practically every jazz show? YUP. Just a little bit though. The good thing is, I was able to listen to the whole thing again and can now forever because I snuck in the Zoom H2 recorder. Yoink!
      I may as well talk about the other show I went to on June 19th at the Blue Note now as well because I don't have any pictures of that. I ended up going by myself because I was ditched by fellow saxophonist senpai Ryuuichi from the circle because he had to use his money for saxophone repairs instead of the show, but it was still cool. His loss, missing the Mike Stern Group (featuring Randy Brecker, Chris Minh Doky, and Dave Weckl!). Randy Brecker isn't even close to being one of my favorite trumpet players. In fact, I don't really like him, especially because he gave a masterclass at ODU my first or second year in high school and it kind of really sucked. But, he can indeed play, proving that to me at that show. Oh, and by "play" I mean "play good" and, at the same time, mean "play corny". Seriously, sometimes I just didn't understand why he thought what he was playing was hip because to me it was really just lame and made everyone look like they crapped their pants or something. It was embarrassing. The other players were cool though, especially Mike and Dave. Got a recording of that show, too, though it's a little crappy because I was in the VERY front. But yeah, score. That show cost me $80 at first, but then I got the cheapest meal and ordered one of the band's recommendations and another drink, soooo it was something like $120 in the end. Egad.

      One thing thing that is funny about Japanese audiences is that when someone plays a standard, like in this case, "Autumn Leaves", they go crazy. And I'm not talking about old people rockin' out to "Girl From Ipanema" crazy, but they shout really loud, clap a lot before and after the head is played, etc.. It was funny to hear, especially when they played some pretty hip originals that were MUCH more exciting than another rendition of "Autumn Leaves". But, what do I know?
      Another thing about the audiences is that there was a good amount of young people in the audience. There were a lot at the Mike Stern show which makes sense because that band was funk- and rock-based, but there was still a surprising amount of kids my age at the Ron Carter show. They were playing more old-school and Ron Carter and the other guys are in their 80s, probably, so the show may inherently be a little bit of a turn-off to the younger crowds, but that didn't stop a good deal of younger people from actually coming.
      Lastly, sometimes it seems like Japanese audiences don't really know the boundaries between rock and jazz-based rock or funk and jazz-based funk. I'm not saying that many people in general understand that there's a difference either, but one may think that okay, maybe the audience is a little more knowledgeable about jazz styles because they're coming to see Mike Stern and not, oh, Chris Botti. Maybe that's a bad example because Chris Botti has nothing to do with rock or funk, but I think you may get the point. There were also tons of examples of the clouding of genres that existed within the playing of members of the Jazz-ken circle, too. But anyway, Mike Stern knows that the Japanese love the rock, I think, and so he really hammed up his performance at some points. He went for the metal/rock style high-note hammering and came to the front of the stage to rock that playing out for the crowds... stuff like that. He'd make goofy smiling faces when he was doing it or at other points in the show, too, which was evidence enough for me that he was kind of poking fun at the situation.

      So that was my Blue Note experiences in a nutshell. Coming soon, awesome karaoke and more baseball.


Until next time...!